The truly evil thing is to act in such a way that peaceful life becomes impossible. War damages the fabric of civilisation not by the destruction it causes (the net effect of a war may even be to increase the productive capacity of the world as a whole), nor even by the slaughter of human beings, but by stimulating hatred and dishonesty. By shooting at your enemy you are not in the deepest sense wronging him. But by hating him, by inventing lies about him and bringing children up to believe them, by clamouring for unjust peace terms which make further wars inevitable, you are striking not at one perishable generation, but at humanity itself.
I knew Mark Twain had served briefly in the confederate army when the Civil War broke out in 1861. He served 2 weeks, had enough of “retreating,” so he abandoned the confederate army and headed West (Nevada) with his brother to sit out the war. I had read about Twain’s Civil War service only in secondary material, but recently I finally got around to reading Twain’s own essay on his Civil War experience in a piece he called The Private History of a Campaign that Failed.
I should note, Twain grew up in Missouri, a slave state and largely southern in culture, and was piloting steamboats on the Mississippi River when the war broke out.
After reading Twain’s story, I couldn’t help but post the second paragraph, a model specimen of Twain’s humor and charm as a writer:
Out west there was a good deal of confusion in men’s minds during the first months of the great trouble, a good deal of unsettledness, of leaning first this way then that, and then the other way. It was hard for us to get our bearings. I call to mind an example of this. I was piloting on the Mississippi when the news came that South Carolina had gone out of the Union on the 20th of December, 1860. My pilot mate was a New Yorker. He was strong for the Union; so was I. But he would not listen to me with any patience, my loyalty was smirched, to his eye, because my father had owned slaves. I said in palliation of this dark fact that I had heard my father say, some years before he died, that slavery was a great wrong and he would free the solitary Negro he then owned if he could think it right to give away the property of the family when he was so straitened in means. My mate retorted that a mere impulse was nothing, anyone could pretend to a good impulse, and went on decrying my Unionism and libeling my ancestry. A month later the secession atmosphere had considerably thickened on the Lower Mississippi and I became a rebel; so did he. We were together in New Orleans the 26th of January, when Louisiana went out of the Union. He did his fair share of the rebel shouting but was opposed to letting me do mine. He said I came of bad stock, of a father who had been willing to set slaves free. In the following summer he was piloting a Union gunboat and shouting for the Union again and I was in the Confederate army. I held his note for some borrowed money. He was one of the most upright men I ever knew but he repudiated that note without hesitation because I was a rebel and the son of a man who owned slaves.
July 1, 1863, a 155 years ago today, the Battle of Gettysburg began. The battle would last three days (July 1 – 3). It would be the bloodiest battle of the entire Civil War, with upward estimates of 51,000 casualties between the two armies. It was the beginning of the end for the Confederacy, and from Gettysburg’s blood soaked fields, a nation would seek “a new birth of freedom.”
I just finished watching a well done docudrama on Netflix called Hitler’s Circle of Evil. I highly recommend it. It’s definitely a good binge watch (10 episodes) for a weekend rainy day—if you like history. (If you don’t have Netflix, you’re in luck. Someone has uploaded the whole series to Youtube.)
I’ve read a lot about Hitler, the Nazis in general, the Holocaust, and, of course, the 2nd World War, but my knowledge of Hitler’s inner circle of power and how they interacted and related to der Führer (German for “The Leader”) was rather thin and incomplete as I enjoyably discovered.
These are just a few, among the many, interesting takeaways I got from the series:
- Joseph Goebbels was true believer to the bitter end. I’d read this about him to some degree, but this Netflix series really showed just how critical Goebbels was in building the Nazi party and, more nefariously, in pushing the hatred of the Jews as one of the core beliefs of the Nazis. It was Goebbels who was behind the infamous Kristallnacht (Crystal Night) in 1938, named “from the shards of broken glass that littered the streets after the windows of Jewish-owned stores, buildings, and synagogues were smashed.” Kristallnacht marked the first steps toward the Final Solution. Over two nights hundreds of Jews were killed and 30,000 were sent to concentration camps as a result of Kristallnacht. The day following the pogrom Hermann Göring said, “The Jewish problem will reach its solution if, in anytime soon, we will be drawn into war beyond our border—then it is obvious that we will have to manage a final account with the Jews.” While Göring and Himmler would ultimately abandon Hitler at the end, Goebbels remained loyal to the very end. Sadly, I had forgotten, Goebbels had brought his family to Hitler’s bunker and after Hitler committed suicide Goebbels had his wife poison all three of their young children and then he and her took poison pills.
- Hermann Göring seem less fanatical and more pragmatic. He didn’t think invading Russia, for example, while the British were still not pacified, a good strategy. Likely thinking of WWI, he didn’t think a two front war was a winnable situation for Germany. But he couldn’t get Hitler to listen. He was angry and confronted Goebbels about Kristallnacht, complaining the violence and destruction bad for the German economy. And “who was going to pay for all the damage” Göring demanded to know from Goebbels. Of course the answer, from Goebbels and agreed to by Hitler, was that the Jews would pay for it.
- Albert Speer, who’s memoirs I read many years ago, is one of those characters who doesn’t seem so much a committed Nazis as much as a committed German. He is the young architect who Hitler took under his wing and was ultimately made Minister of Armaments and War Production. It’s really in following Speer’s path that you see one of the most fatal flaws (that surely Speer mentioned in his book but I’d forgotten) in Hitler’s approach to war. Even as the Russian front and Operation Barbarossa began to look grim for Germany, the German Economy was still not in full war mode. Hitler wanted the home-front affected as little as possible by the war. As late as 1942, with German soldiers occupying most of Europe, Britain still in the war and America now a member of the allied forces, and a raging war in Russia, a number of German factories were still producing common household goods instead of war materials for troops in the field. It was Speer and Goebbels who pushed Hitler to approve a plan of “total war.” This plan called for ALL Germans to be directly involved in supporting the war. All factories had to be retooled to produce war materials and even German women (which Hitler resisted at first) needed to be working in those factories in support of the war effort. Of course in Britain and America this was the situation pretty much from the beginning. Germany had been at war since 1939, and here they were three years later just getting around to a total war economy. My theory is success blinded Hitler to the need to transform his economy. His victories had been swift against the allies in the beginning. The tempo of his economy was sufficient for the task up to that point, so he didn’t see a need to transform all his industries and bring the war home. It was Speer who realized this fatal flaw, but by then it was really too late.
At the last minute I decided to go see the movie Dunkirk. The movie is based on the mass evacuation (26 May to 4 June 1940) of British and French troops from the beaches of Dunkirk, France, during the opening stages of WWII.
Before the Russians and the yanks got involved, the German army was pretty much taking whatever they wanted and crushing all resistance. They were steam rolling the continent. The French and British armies, woefully unprepared to face Hitler’s military juggernaut, had been pummeled and forced to retreat to the beaches of Dunkirk and wait to be evacuated to England before the encircling German army killed or captured them.
This is a war story, so one should expect the typical motifs of war and warriors: sacrifice, endurance, honor, courage, fear. They’re all here in abundance and they give to the film, as such emotions do, a raw energy, mostly dark, but with the occasional piercings of light.
The tempo of the movie is fast—rightfully so when soldiers are cornered, beaten, tired, afraid and being constantly strafed by German airplanes. The movie is told through 4 perspectives.
There’s a British army private and his attempts to get off the beach anyway he can, even if it means using deceptiveness to cut in line to board a transport ship—from which he barely escapes after the ship is sunk by a German bomb just after departing. There’s the British Navy admiral, played perfectly by Kenneth Branagh, standing stoically at the end of a long pier, directing the orderly loading of troops onto transport ships, and refusing to leave until all the troops, British and French, are evacuated. There’s the British father and son, who join the thousands of other British civilians, using their personal boats and braving the bombs and machine guns of German planes, in order to help evacuate the British army stranded on the French beach just across the English Channel.
And then, lastly, there’s the British Spitfire pilot. He was my favorite character. Alone and running out of fuel, after having his two wing men shot down, instead of turning around and returning to base, he continues to engage the enemy, fighting until the last drop of fuel is gone. Leading up to this, there’s a defining scene in the movie where this British Spitfire pilot is staring at his gas gauge. He knows if he doesn’t turn around now, he can’t make it back to England. His face is covered by a flight helmet and mask so all you see is his eyes. And that’s all you need. In those eyes you see the brief moment of struggle, the thousand yard stare as his mind hovers between two loves and two duties, and then the decision, his eyes relax, and we see a man embracing his fate. He pushes the throttle forward to chase a German bomber in the distance. He’s not turning back. No. His countrymen are on that beach getting shot at and every man must do his duty.
If you’re looking for complex character development this isn’t your movie. At the opening of the movie you’re dropped into a quickly evolving situation and you’re carried along on a fast ride. The movie is more about action and scene than dialogue and personal connection. The emotional connection you get is from the pathetic spectacle of watching men fight for their lives against the odds. To survive is to win! A terrible sense of doom lingers over those beaches, and the only thing those soldiers have is their fighting spirit and the faith in their fellow countrymen to rescue them.
About 338 thousand allied troops were evacuated from Dunkirk. Over a hundred thousand by citizens coming to the rescue with their own boats. The battle was a big defeat for the allies, and yet, for the British nation it was a defeat that served the needs of the moment. The French, beaten and battered, would ultimately surrender. But the British, led by Winston Churchill, would take from this defeat the spirited determination, the fearless resolve, to fight on regardless of the odds. (Ahhh, and unlike the French, it helped—a lot—that Britain is an island nation with a channel holding back the German invasion force.)
On a scale of 1 to 5, five being the best, I’d give Dunkirk a 3.5. It lacked in a few areas in my view but overall it was a good movie and I recommend it.
If you go see it, please come back and let me know what you think.