While walking through the Gettysburg battlefield museum this past June, I noticed something I hadn’t during my previous 6 or so trips: a display listing the total number of white southern men, per confederate state, that had fought for the Union and its army. The total number was over 100,000 men. That’s basically a large army of southern men rallying to Old Glory and President Lincoln. The largest number, I noticed, came from the southern state of Tennessee, where about 42,000 southern white men joined the Union army ranks. This gives a whole new meaning to the motto “the volunteer state.”
No doubt these southern men were labeled “traitors” by many of their fellow southerns. But these Southern Unionist or, more aptly, Union Loyalists, might have reminded their secessionist brethren that they had rightfully acquired that label first.
I had always known there were white southerns during the American Civil War that didn’t support secession, but they got outvoted. I think one might argue that most southerners got out-maneuvered politically and psychologically as well. Many got pulled into the war by the southern planter class who benefited the most from slave labor and the wealth it generated for their vast plantations.
This brings me to a civil war era movie I watched on Netflix the other night. It’s based on a true story. This particular story had escaped my readings over the years until the other night when I saw the movie the Free State of Jones. I hadn’t known that men (and women) in the deep southern state of Mississippi had taken up arms against the confederacy—a rebellion within a rebellion you might say.
Newton Knight was their leader and in the movie he’s played by Matthew McConaughey. Knight was a confederate solider who got furloughed by General Braxton Bragg to go home and to be with his dying father. (The movie has Knight leaving the army to bring his cousin’s—killed in battle— body home). But back home, in Jones County, Mississippi, Knight found the confederate army was confiscating food and other supplies from the locals, and not necessarily in nice way either. And of course the confederate army was hunting down deserters…at gun point…and hanging some of them, too.
On top of that, the confederate government had recently passed a new conscription law that favored wealthy southern families. The law said that for every 20 slaves a family owned, one of its male draft age members was exempt from conscription—the draft. Well…of course…it was mostly wealthy southern planters who owned 20 or more slaves. Almost needless to say the vast majority southern men (didn’t own more than 20 slaves, if any at all) in the confederate army and many weren’t pleased when the word got out about the new law. This aristocratic exemption only added to the confederate army’s desertion rate. On top of that, the whole idea of seceding from the Union hadn’t been particularly popular with many Mississippians anyway.
So Newton Knight, along with a growing band of confederate army deserters, and a number of local run-away slaves formed their own resistance army in Jones County, Mississippi. Basically, at first, their intent was to assist the Union army. They began ambushing confederate army wagon-trains and skirmishing with confederate army troops. Ultimately Knight and his band ran the confederate army out of Jones County and seized Ellisville, the county seat. Initially, Knight tried to get help from the Union Army, but he and his rebel band weren’t happy (at least in the film) with the answer they got from General Sherman. So Knight and his band declared Jones County Mississippi the Free State of Jones. They held on to Jones County until the war ended. Of course after the war you had the continuation of war (against the freed black population) by other means: the rise of the KKK, lynchings, voter suppression, etc, etc, and all kinds of other cruelties by white southerns determined to keep blacks disenfranchised.
It’s well worth your time to watch the Free State of Jones. Overall a good historical drama. A pretty good movie about an interesting aspect of Civil War history.